Advertising, a revolution in the popular press

In 1836, Émile de Girardin launched a daily paper called La Presse with a subscription price of half the going rate. While the periodical remained expensive, it was the beginning of a democratisation of the press. Émile de Girardin compensated for this reduction in cost, not only by increasing readership, but with revenues from publicities. Advertising, previously unknown in the press, was to occupy an increasingly significant place, and newspapers quickly became a consumer staple. 

In its various forms, from posters to inserts, advertising disrupted the economics of the press and of books; publishers would soon develop new strategies to give works greater visibility by promoting fashionable writers by name or vaunting the quality of the illustrations.

Advertisement for the Pilogène Mesmer cure for hair loss. La Revue des sapeurs-pompiers de France et d’Algérie, 7 September 1890. (Roger Viollet, inv. RV-936911)
Image number: 14303-4
Anonymous. Publicity for La Comédie humaine from L’Illustration in 1847. Impression en noir, 1847. (Paris, Maison de Balzac, inv. BAL01-39)
Image number: 50459-6
Antoine Johannot (aka Tony; 1803-1852) ; Jean-Louis-Ernest Meissonier (1815-1891). ‘Bookstore poster for La Comédie humaine’. Woodcut and typography in black and gold ink. 1842. (Paris, Maison de Balzac, inv. BAL78)
Image number: 48139-2
 Poster for Les Français peints par eux-mêmes, éditeur Furne. (Paris, Maison de Balzac, inv. BAL414) Image number: 39175-8
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